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Mail Call

I love getting mail, and one of the benefits of blogging about classical music and its tangents is that I get all sorts of things sent to me on a fairly regular basis.  Most of them go unmentioned and unreviewed, but every once in a while I like to tip my hat to all those nice marketing people who help me stay in, or at least around, the loop.  So thanks, everyone, and keep up the good work.

One quick note about a recent delivery: Sony has just released an album of Mendelssohn's piano trios played by Itzhak Perlman, Yo-Yo Ma, and Emanuel Ax who, unbelievably, have never recorded anything together in all these years.  I was looking forward to hearing what they put together, and after listening to the disc a couple of times, I'm not quite sure where I stand in re. thumbs up or down.  On the one hand, the playing is superb, particularly where Manny Ax is concerned, and some of the phrasing is really very clever, especially in the C minor trio.  On the other hand, the group suffers a bit from Superbanditis, which is to say it sounds like a collection of three soloists rather than a cohesive piano trio.  Don't get me wrong, I can listen to Ma and Perlman play all day, and I'm just tickled the latter seems to be more or less back in form after his shoulder woes, but all in all I'm pretty sure I'd rather listen to the Beaux Arts Trio's 1992 recording.  It might be a bit rough, but it's rough in all the right places.   That said, if you're a Ma, Ax, and Perlman fan, you'd probably do well to pick up a copy.  The album will be released on February 2nd, and if it sees its shadow, we'll be in for six more weeks of winter. 

January 30, 2010 | Permalink

Full Tilt

Here's a little treat for my fellow photography wonks.  It's a short video made by Aussie photographer Keith Loutit, whose thing apparently is using a tilt-shift lens to screw with people's heads.  There are loads of videos out there that showcase the miniaturising effect a tilt-shift lens can produce, but this is by far the best I've come across, and I hope you like it. 





January 21, 2010 | Permalink

Tonal

_MG_7513 The weather's been making London feel oddly Soviet these last few days, and since the entire city seems to be drawn in black and white I figured I'd pop over to the Barbican where the absence of colour wouldn't really make much difference.  I wanted to see Robert Kusmirowski's Bunker exhibition once more before it closed, only this time with a soundtrack.  I've been listening to Shostakovich's string quartets like it's my job lately, and didn't see any reason to stop just because the installation is supposed to be Polish not Russian.  Number 12 (D major) proved to be a great match for Bunker's spooky, semi-apocalyptic ambiance, and I emerged after half-an-hour feeling damn glad to be a late-20th century Westerner.   We really are lucky, you know.

January 10, 2010 | Permalink

Sun & Snow: A Photo Montage

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January 07, 2010 | Permalink

The Weather Outside is Frightful...Says You!

There's a definite division in public opinion where our latest (and, at the moment, current) snowfall is concerned.  I happen to live at the top of London's second most formidable peak (elevation: 397 feet), and feel confident there are few places in the city better suited to illustrating this schism.  Based on casual observation, I'd wager the majority of the locals are pro-snow, which is to say they're wholesome, normal people charged with a hint of a poetic streak.  However, it would appear they're also charged with a hint of a mean streak, at least judging by the amount of Schadenfreude dripping about the place.  On that score, the drivers of Chelsea Tractors would seem to top the list of favourite targets, and it's easy to see why.  After all, there are few sights more gratifying to the London pedestrian than watching a Range Rover -- or better yet, a Porsche Cayenne -- spinning its tires and steaming in frustration, its engine whirring away like an electric toothbrush.   In fact, I can hear a few now through my sitting room window.  What a heavenly sound.  Needless to say, it's the drivers of these vehicles -- and of vehicles in general -- who form the base of the anti-snow movement.  On my walk home I noticed a few drivers had resigned themselves to being stuck in traffic, and had actually gotten out of their cars to help themselves to the free hot chocolates a small shop was handing out to pedestrians.  They seemed pleased with the decision, and in a couple of cases even struck up friendly conversations next to their cars, absent-mindedly kicking snow off their tires while they talked, and stealing the occasional hopeful glance up the hill.  Just about everyone else, however, was fuming.  Horns were honked, steering wheels were smacked, personalities were asserted.  It was a good show, really, especially for someone from Canada who, even after all these years in London, still can't believe that a measly two inches of snow can produce such chaos.   'Get some snow tires you cupcakes!!' I'd like to shout, but sadly never do.  Perhaps I'll work that into my new year's resolution this time 'round... 

December 21, 2009 | Permalink

Bet You Can't Do This

It's time to meet Robert Tiso, definitely a glass-half-full kinda guy. 


December 07, 2009 | Permalink

Betwixt and Between

A young violinist seated in the second row at Leonidas Kavakos' concert found his proximity to the great artist a touch overwhelming.  There was, it has to be said, a lot happening on stage.  White puffs of rosin were bursting in the air, long fingers were tumbling through incredible gymnastics, and the most wonderful sounds were rushing out toward the audience. 

After the concert had ended, the young violinist found himself impressed by another figure at close range, this time on the Tube.  Instead of a violin, this man was kept company by a folded wheelchair, which he pushed in front of him like a stroller.  His legs were sheathed in plaster from the knee down, and his knuckles were tattooed with small symbols and two words, LOVE and HATE, on the left and right hands respectively.  The man was trying to persuade people to part with some of their change by telling them he was an ex-serviceman and by showing them the toes on his right foot, which he said, in an almost boastful manner, had lost all their toenails to the elements.  Judging by people's reactions to the foot, the young violinist told himself to not look down, no matter what the man said.  Just drop a few coins in the cup and maintain steady eye contact. 

The plan went well enough until the man tried to get through the door to the next carriage.  He struggled to get the wheelchair lined up with the opening, and distracted by this effort, our young violinist momentarily forgot his policy and let his eyes swivel downwards.  Only for an instant, mind you, but long enough to perceive a clump of boulder looking things arranged roughly in the configuration of human toes.  It was a ghoulish sight, and it reminded him of some of the sailors on the Flying Dutchman in one of those Pirates of the Caribbean movies. 

The man eventually made it through to his next captive audience, leaving his last to contemplate their recent experience.  The young violinist thought of the tattoos and the toes, and then of the rosin and the sounds, and decided that he found his run in with Kavakos the more rewarding.  After all, he'd gotten to see one of the world's great violinists really going for it, which is a rare enough sight these days.  Small mistakes were made, but the playing was astonishing and expressive, particularly with regard to Enescu's Op. 25, which sounded almost entirely improvised, just as it should 

The young violinist thought of how he and the rest of the audience had gone wild once the piece had ended and of how they'd been rewarded with a lovely gem in the form of Kreisler's Liebsleid.  It's a tune that's gotten many airings over the years, but rarely in such a delicate, straightforward manner.  Not a drop of schmaltz to be found.  It felt like hearing a whispered lullaby, and in fact filled that role an hour later when our young friend, his thoughts ripe with Kreisler and free from the torments of lithic toes, fell at last into a deep, peaceful sleep.

December 01, 2009 | Permalink

Theremin Thursday

I figured I'd offer a sneak peak into a mini obsession of mine.  Most people only know the theremin from radio horror and mystery programmes (or even worse, Star Trek), but it's capable of making real, honest-to-goodness music, novelty be damned. 

Here's a clip of the instrument's inventor, Léon Theremin, demonstrating his brainchild:


Amazingly interesting guy, that Theremin.  Google him if you're ever bored, or better yet, watch Steven Martin's (no, not that Steven Martin) documentary, Theremin, An Electric Odyssey.  If you do, you'll meet Clara Rockmore, the first lady of the theremin and subject of another remarkable story.  But before I get to that, here she is playing Saint-Saëns' most famous melody, The Swan:


Rockmore was born in Vilnius and, like another famous Vilniusite (or is it Vilniusian?), Jascha Heifetz, she was considered a violin prodigy and ended up under the tutelage of none other than Leopold Auer at the St. Petersburg Conservatory.  In fact, at only 5 years old, she was -- and remains -- the youngest student ever admitted to the school.  Unlike Heifetz, however, she was forced to abandon the violin in her teens because a childhood plagued by malnutrition had weakened her bones.  While this might seem the prelude to a terribly sad story, it was in fact quite the opposite.  She soon discovered the recently invented theremin, and applied her musical gifts (perfect pitch, a wonderful sense of phrasing, etc...) to the new instrument.  Before long she was working with Theremin himself, striving to develop and refine his invention.  She even codified a theremin technical method, which is still in use today.  In this last clip, which is unfortunately only audio, Rockmore and Heifetz, the two Auer alumni, team up to play Achron's Hebrew Melody:


Incidentally, if the Moog people are reading this, don't hesitate to send over one of those little Etherwave numbers of yours.  It'll be put to good use, I promise.

November 26, 2009 | Permalink

Mind the Spore

We’re getting on for that time of year (wouldn’t it be a good joke on me if this post went missing until spring) when the leaves start dropping off and ol’ Mother Nature tells us it might be a good idea to collect an acorn or two to see us through the winter.  We city types normally scoff at most of what Mama Nature has to say, but this gathering impulse is a pretty hard one to shake.  Just look at all the gathering being done on Bond Street, and we’re supposed to be in a recession. 
The spirit of the season is particularly persuasive for those of us who’ve spent time living in the sticks but who now roam the asphalt planes.  At some point or other, memories of the country, or more specifically of us in the country, expand a bit (blame it on inflation) and, in harmony with the autumn harvest, begin to bear fruit.  Thus, the six weeks you spent canoeing and napping on a lake in the Berkshires magically blossoms into three winters of trading beaver pelts and mushing a dog team around the sights and attractions on King William Island.  Naturally so much time spent in the wilderness yields an impressive wealth of survival knowledge, and any urban survivalist worth his salt will be only too glad to demonstrate his skills should circumstances become suitably dire.  I’ve always harbored the pleasant delusion of being able to find food in any landscape, and have passed many happy hours in quiet contemplation of the satisfaction that would surely come from being the last person in London after some unforeseen natural event has wiped out the city’s food supply.  Everyone will have legged it to Paris or Manchester, and there I’d be, nestled contentedly in the hollow of an old oak, snacking on something or other from nature’s bounty and reciting several of Wordsworth’s choicer lines from a small pocket edition I’d lifted from one of the evacuees. It would certainly be a fine life.  My ticket to this dream world comes courtesy of my mushroom foraging skills, and it’s just that topic I intend to discuss today.
Now for those of you looking to get into the mushroom game, the best place to start is at a reputable outfitters, where you’ll be able to weigh yourself down with all the necessary paraphernalia and at least look the part.  You didn’t think you’d just be able to pick up a mushroom guide and saunter willy-nilly into the wild did you?  Ha ha!! Hee hee!! Good one.
For order’s sake, let’s begin at the bottom (south) and work our way up (north).  Any fire breathing mycologist will tell you that the key to successful foraging is in one’s choice of footwear, which should be sturdy, waterproof, and spacious enough to conceal at least a fifth of brandy.  It’s worth noting that Wellingtons have been the boot of choice for years and since I see no reason to reinvent the wheel, let’s move on to trousers.  Here matters are left to one’s style and personal taste, assuming one has any.  I favour moss green corduroy as I feel they give me a)protection from thorns and nettles and b)camouflage, which helps me sneak up on the mushrooms undetected, thereby allowing me to catch them with their defences down. 
What you choose to wear above your trousers matters very little – especially to me – so feel free to express your individuality from the waist up, only try to make your choice temperature appropriate.  The number of accounts I’ve heard having to do with under-dressed mushroom hunters dying of exposure on Wimbledon Common is staggering, and they (the accounts) make for cloudy reading on an otherwise sunny day, so beware.
An absolutely vital component to the forager’s outfit is his mushroom knife, which is as threatening looking a contraption as you’re likely to see used on flora, and perhaps the greatest case of overkill in the cutlery world.  These knives consist of a straight handle, usually wooden, into which folds a three-inch-long serrated blade that curves like a comma to a dreadfully sharp point.  Jutting out from the bottom of this implement is a small flat brush that the owner’s manual tells you is for removing mud and other forest flotsam from the mushrooms you’ve picked, but in reality serves nearly as much purpose as a handbrake on the space shuttle and probably sees about as much use.  Some knives also come equipped with a set of tweezers slotted into the wood, though I couldn’t for the life of me tell you what for.  It’s been my experience that very few things in nature require precision tweezing, and I suspect the delicate tool’s presence in the knife owes itself to either a small joke or a large mixup at the factory.  Whatever the case may be, the blade itself is invaluable, and is second in importance only to the funghist’s great friend, that master of mycology, that Sherlock of shroomology, I mean of course the forager’s field guide. 
Most people hold the opinion that mushrooms are dangerous, and it turns out they (the people) are right.  I learnt this piece of information from Roger Phillips most recent guide, Mushrooms.  I also learnt that while thousands of mushrooms are inedible, only fifty or so are actually poisonous, which was a statistic I found oddly comforting until I discovered that 47 of the 50 grow unimpeded in my garden.  How I envy those friends in Scotland who can hardly fling a sheep without hitting a patch of porcinis or dislodging a lovely little chanterelle.  “Whatever are we to do with all these delicious and incredibly valuable mushrooms?” they like to ask at quiet moments.  Well, I have a couple of suggestions, and they both involve sticking them where the sun don’t shine (the cellar and the larder).  As for my horde, they may be deadly, but at least they have delightful names.  Take my favourite, the Destroying Angel, as an example.  Here we have a delicate white specimen that rises elegantly from the ground on a slender stem and is topped by a smooth campanulate cap.  It’s a beauty, but let’s remember that beauty often comes at a price, in this case, and here I quote Mr. Phillips,
A delay of 6 to 24 hours between ingestion and the onset of symptoms, during which time the cells of the liver and kidneys are attacked.  The next stage is one of prolonged and violent vomiting and diarrhea accompanied by severe abdominal pains lasting for a day or more.
But hold on, there’s good news:
Typically this is followed by an apparent recovery, when the victim may be released from hospital or thin their ordeal over,” (wait, “think?”) but death results from kidney or liver failure within a few days. (Oh.)
The Angel’s in the same family (Amanita) as another killer, also with an evocative name, albeit one with a somewhat less sympathetic bent, the Death Cap.  Sounds like something Agatha Christie might have dreamt up, doesn’t it.  You’ve got to hand it to the more villainous mushrooms, they’ve really got terrific names.  The safe varieties also sport interesting monikers, but they tend to be on the cutesy side, like Fairy Ring Champignon, Wood Blewit, and Giant Puffball.  The names aren’t without their charm, I suppose, but they lack some of the pizzazz of something like the Panthercup, or the Livid Pinkgill.  Now those are some handles you can really get your teeth into (though I wouldn’t recommend it).  Another personal favourite is the Poisonpie since it sounds somehow ironic and reminds me of something my uncle Herman used to call his sixth wife, Elspeth.  Mr. Phillips is thorough enough to tell us that the Poisonpie, or genus Hebeloma, “should be avoided,” which might sound a bit obvious, but as a warning is no less valuable for being so.  Also, it might be of some interest to note that my uncle circulated a similar piece of advice in connection to Elspeth shortly before embarking on his seventh, and third-to-last, marriage to the lovely Joanne, a cocktail waitress from Sioux City.  He really was quite the guy. 
But enough about that.  After all, we’re here to discuss mushrooms, and so I come to the real reason for cursorily studying mycology: impressing your friends.  We’ve all enjoyed fantasies of strolling along a wooded path one fine afternoon, our senses wrapped in the heady scent of pine, our bodies delicately caressed by the ethereal shafts of light that stream through the trees.  A bird can usually be heard chirping somewhere in the middle distance.  Your companions are entranced, and just when they feel they couldn’t get any closer to nature, you bend down, casually pluck a mushroom from the soil, and carefully examine it for a moment.  “Leviticus Edulis,” you say nonchalantly, handing the specimen to the nearest friend.  “Good for the liver.  Of course it’s often mistaken for Apavictus Horribilus, of the Incidious Avenger, which will make your spleen dissolve, so you’ve got to know what to look for.  But don’t worry,” you say, chuckling at your friends’ alarm, “that’s a Leviticus alright.  Costs 60 bucks an ounce down in Chinatown.”  It’s delightful moments like these that make tolerating one’s obnoxious friends worthwhile. 
Now the more astute among you, or at least those of you who own a field guide, might have detected that I fabricated, or “made up,” the abovementioned mushrooms’ names.  Good for you.  You’ve ascertained my strategy.  One of the things I noticed on my numerous forays into funghi country is that virtually all mushrooms look exactly alike and bear almost no resemblance to their pictures in the various field guides.  Apparently mushrooms’ appearances change a good deal as they mature, so using a photo of a juvenile Xerula Radicata to identify a senior citizen of the same species would be about as useful as circulating a baby picture of Jimmy Hoffa at the next Teamsters’ Charity Treasure Hunt.  Sure, correct identifications can be made, but you’d need to take spore prints and cross reference genus lists, and who has the patience to do that?  I mean why bother?  Just make something up, and if your friends don’t have sense enough to heave behind the nearest tree a mushroom that might annihilate their spleens, well they probably deserve an evening of two of, shall we say, ritual purification.  If, on the other hand, it’s eating you’re after, then the sensible course of action is obvious: just go to the market, like a normal person!

November 18, 2009 | Permalink

Stone Face on Sunday

Here's a bit of news that's bound to excite all you Buster Keaton fans out there.  The Barbican (slogan: ugly but friendly) has decided to offer a screening of Sherlock Jr. with live piano accompaniment at 2:30 pm on November 22nd.  Sure you could save £9 and just watch it at home, but where's the fun in that?  I recommend getting fully immersed in the spirit of the thing by making your own porkpie hat.  Nothing could be simpler; all you need is a grey Stetson fedora, some water, a pair of scissors, and a screw loose.

Just a side note -- more a caveat, actually: the film, along with Keaton's short, One Week, is being shown as part of the 2009 Children's Film Festival, so be prepared for audience participation that deviates somewhat from the norm.  You can find out more by clicking here.

November 16, 2009 | Permalink

Mystery Machine

I've been meaning to put this question to a recording engineer for a while, but my mind always seems to go blank whenever one's around. It's a problem I'm working on, but in the meantime I figured I'd address my question to the blogosphere. Thinking caps on? Good, here goes:
Why do most recordings of string quartets arrange the sound of the instruments backwards so that the violins emerge from the right speaker while the cello and viola play through the left? Why not make it sound like it does in real life, where the instruments run, from left to right, violin, violin, cello, viola (or sometimes vn, vn, va, c)? It's weird.
I expect some good answers and, if possible, at least one plausible one. A prize of some sort may or may not be awarded.

November 12, 2009 | Permalink

Well Excuuuuuuuuuuuuuse Me!

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In these times of financial, religious, and geopolitical unrest, it's comforting to know the world is still ticking over well enough to allow Steve Martin to play the banjo at the Royal Festival Hall.  Seeing him on stage with his gorgeous 1927 Gibson Florentine, standing ten feet from where Vladimir Jurowski conducts the LPO was a very weird, but entirely wonderful sight, and sadly one that's unlikely ever to reappear.  But let's not submit to melancholy, particularly in light of the facts that the playing was great, the jokes were just what you might have hoped for, and we even got to hear a slightly bluegrassified version of King Tut as an encore. 

Surprisingly, the most striking feature of the concert, at least for me, came courtesy of Mr. Martin's band, The Steep Canyon Rangers, which I'd assumed was a collection of Nashville studio ringers, but which was in fact a local band from Pig's Knuckle, North Carolina that Martin heard play at a friend's party.  Can you imagine that?  One day you're toiling away in relative bluegrass obscurity somewhere in NC, and the next you've been plucked up by Banjo Pickin' Steve and trundled onto stages across the United States.  And as if that weren't enough to amuse the grandkids, you're then given the chance to go to London and play suited and booted at the Royal Festival Hall.  I might have been reading too much into this, but it seemed like they were having a ball up there.  Mike Guggino, the group's mandolin player, was grinning for all he was worth, and I noticed him squinting into the bright lights a couple of times, hoping to get a better look at the audience.  It's rare to come across a performer (or in this case, performers) who's not only good at what he does, but also lets on to how much fun he's having doing it.  It's a delight when it happens, and in this case really flavoured the entire evening, which I have to say was one of the more charming I've had during my time in London.

November 11, 2009 | Permalink

Nice Helmet

The Icelandic Philharmonic might be short on cash these days, but it's certainly not lacking in humour (or kitsch, depending on your viewpoint), as can be seen in its latest choice of guest conductor.  Better watch out for that mental death grip though.


November 06, 2009 | Permalink

Oh Me, Oh My

I just had a look at my concert schedule for the week, and I can't believe who's on the roster.  Have a listen to this: Sunday, the Aviv String Quartet; Tuesday, the Takacs Quartet; Wednesday, more Takacs; Thursday, Christian Tetzlaff; Friday, Marc-Andre Hamelin; oh, and Monday, the day of days in my book (at least this week) Mr. Steve Martin.  Yes, the Steve Martin, and at the Royal Festival Hall no less.  On the banjo with The Steep Canyon Rangers.  Am I excited?  You bet your bluegr-ass I am.

November 06, 2009 | Permalink

Renovation

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In case you haven't heard, Oxford Circus has been re-tooled, Tokyo style!  Up until yesterday, the place resembled an old-fashioned demolition derby, where tourists and locals alike could come together (literally) in an exuberant and considerably martial way.  Personalities were asserted, shins were bruised, honour was defended.  In short it was fun.  But progress marches on.  Two diagonal crossings have been introduced, and the results, at least so far, are amazing.  Pedestrian circulation has improved discernibly, which is nice and everything, but the real boon has been to the people watchers.  At the moment there are few sights in London more entertaining than observing people trying to decide whether or not to make a run for it on the diagonal.  You can actually see beads of sweat springing from foreheads, and I take great personal inspiration from watching people's eyes dart from the little red man to the foursome of idling buses waiting to gun it from every direction.  I wouldn't be surprised to see someone stretching on a lamppost, trying to limber up for the big race.  It's like a cartoon, only better. 

I made my first crossing yesterday morning, opting for the route that took me from southeast to northwest as it happened to be the way I needed to go.   The lights were red all around, and I felt a small, oddly satisfying, rush of excitement as I legged it through the intersection, buses and caution be damned.  It was a nice little thrill, and I plan on spending my afternoon working up the courage to traverse the northwest passage again.  Someday I might even explore the southwest, but let's not get ahead of ourselves. 

November 03, 2009 | Permalink

Sesquicentennial

A Times ad in the Tube tells us that the first person destined to live to 150 has already been born.  Who knows, maybe it’s you!

October 14, 2009 | Permalink

Gobble Gobble

Happy Thanksgiving Canada!  Our little holiday tends to get overshadowed by Columbus Day in the States and by that country’s “real” Thanksgiving, but we should still be proud of our special day, even if we don’t know what the hell it actually commemorates.  But if it’s history you’re after, the ever-reliable (ha!) Wikipedia recounts the following:
The history of Thanksgiving in Canada goes back to an explorer, Martin Frobisher, who had been trying to find a northern passage to the Pacific Ocean. Frobisher's Thanksgiving was not for harvest but homecoming. He had safely returned from a search for the Northwest Passage, avoiding the later fate of Henry Hudson and Sir John Franklin. In the year 1578, he held a formal ceremony, in what is now the province of Newfoundland and Labrador, to give thanks for surviving the long journey. The feast was one of the first Thanksgiving celebrations by Europeans in North America. Frobisher was later knighted and had an inlet of the Atlantic Ocean in northern Canada named after him — Frobisher Bay.
At the same time, French settlers, having crossed the ocean and arrived in Canada with explorer Samuel de Champlain, in 1604 onwards also held huge feasts of thanks. They even formed 'The Order of Good Cheer' and gladly shared their food with their First Nations neighbours.
After the Seven Years' War ended in 1763 handing over of New France to the British, the citizens of Halifax held a special day of Thanksgiving. Thanksgiving days were observed beginning in 1799 but did not occur every year. After the American Revolution, American refugees who remained loyal to Great Britain moved from the newly independent United States and came to Canada. They brought the customs and practices of the American Thanksgiving to Canada. The first Thanksgiving Day after Canadian Confederation was observed as a civic holiday on April 5, 1872 to celebrate the recovery of the Prince of Wales (later King Edward VII) from a serious illness.
Starting in 1879 Thanksgiving Day was observed every year, but the date was proclaimed annually and changed year to year. The theme of the Thanksgiving holiday also changed each year to reflect an important event to be thankful for. In its early years it was for an abundant harvest and occasionally for a special anniversary.

That's actually kind of sweet, isn't it.  The holiday's obviously been codified a bit to fall in line with modern times, but I think the spirit's still intact.  At any rate, enjoy the day, and enjoy this clip of Leslie Feist, who not only happens to be one of Canada's more remarkable songbirds, but also churns out some of the most visually appealing music videos of anyone I know.

October 12, 2009 | Permalink

A Nickel Will Get You on the Subway, But Garlic Will Get You a Seat

I’m sure I’m not alone in preferring cooking at home to eating out in London.  Cost aside, restaurants in this city can be a bit hit or miss where quality is concerned, and anyways, I’m of the mind that most dishes – I’m talking normal ones here: no forms, no shuddering towers of julienned yams, no Michelin stars – ought to be at least as good coming from a home kitchen as from a professional one.  Your typical home cook doesn’t face the same temporal pressures as the pro, and his clientele, assuming he has one, is typically more supportive of his efforts.  Still, standards need to be maintained, and it’s with that in mind that I aim to launch a new feature here at Nimble Tread called Pot-au-Fugue, which will pop up from time to time and attempt to pair a toothsome little dish with a dishy little tune.  The first edition is on its way, so keep your eyes peeled!

October 11, 2009 | Permalink

Look Sharp

October is shaping up to be a banner month for us Rachel Podger enthusiasts (club name: The Jolly Podgers).  Not only will she be giving a masterclass at the Guildhall on the 12th, but she’ll also be releasing a beautiful disc of Haydn conerti (1&4) and Mozart’s Sinfonia Concertante (played with the OAE and, in the case of the Mozart, with the highly personable Pavlo Beznosiuk on viola) on that same day.  I’ve had a listen, and it’s good, very good in fact, particularly where the two Haydn works are concerned.  Add to that her ubiquitous presence at the Brecon Baroque Festival (if you’re going, don’t miss the Baroque Ball on the 23rd), and her appearance at the Wigmore with Gary Cooper on the 6th, and you’ve got yourself a nice little month.     
This really is a great time to be a classical music enthusiast.  Think about it: we’re virtually showered with first-rate recordings, we’re privy to a repertoire so extensive as to be basically inexhaustible, and we’re treated to an endless string of concerts given by enormously gifted performers who, for the most part, remain highly accessible to the public.  I’d call that a pretty good deal. 

October 05, 2009 | Permalink

Happy 106th!

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October 01, 2009 | Permalink

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